1/7/2023 0 Comments Ecole jean mermoz poitiers![]() Odd elements were gathered in a zigzag rhythm of sense and nonsense, to call upon ghosts, reveal structures, and be at the edge of the abstract. The idea was to take advantage of the pattern of the materials, contradicting or repeating them, crystallising them as fragments of time. The flags or coats-of-arms lead back to the Middle-Ages, offering visual access to lines of descent. Branches were arranged in a cross to suggest a fireplace or hearth, or the interlacing of languages, words woven in an embrace. Birds and flowers, signs and symbols were allowed to accumulate on the canvas, even if they were only dust and seeds, blown in from the garden. Looking for something to paint on, I found some left over materials from the château’s attic, mattress ticking, old curtains and nightgowns, worn out things with patterns and holes in them, which I mounted on frames. This is the space in which I chose to work and exhibit. An attic space conjures up a theatre or church, or even an upside down boat, such as the one Maxence used for her voyage from one reality to another. In our imaginary world, attics are often places where ghosts are to be found, along with discarded furniture, dust mixed with seeds, the past with the future. The inspiration for my residency was to mix elements of this story with my own memory and with my own experience of the Château de Sacy. Maxence rises from the ground and carries her own head to a burial place which will become the present town of Pont Sainte-Maxence. Her suitor catches up with her and decapitates her. The myth of Saint Maxence recounts how this 5th century Scottish princess flees her engagement to the pagan prince Avicin, crosses the English Channel and arrives in Gaul, where she fords the river Oise by throwing three stones into the water to make a bridge.
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